Emaki were born in the midst of Japanese history. Compare them side by side with regnal years, emperors, and political events to see when and why they were painted.
The age when aristocratic culture blossomed and emaki were born
The year 1052 was seen as the start of the Final Dharma (mappō), and Pure Land faith spread. Anxiety about the afterlife gave rise to scrolls depicting hell and hungry ghosts.
Courtly tales such as The Tale of Genji were lovingly transcribed into painted scrolls—the culmination of national culture.
A masterpiece of pictorial storytelling that dramatizes the court intrigue of the Ōtemmon Incident (866).
The elegant wit of aristocratic society produced caricatures of animals behaving like humans—often called Japan's oldest manga.
The refined ceremonies of the court were preserved as painted records, showing the splendor of the insei age.
The rise of the warrior class and the spread of Buddhism to the people
Court diaries and the tale of the priest-poet Saigyō were turned into emaki and passed down.
The Buddhist idea of impermanence produced kusōzu—scrolls depicting a body's decay in nine stages, made for contemplation.
After the invasions of 1274 and 1281, the court preserved the memory of the crisis in painted records.
The lives of a painter and a townsman in the capital were depicted with wit—the subjects of emaki expanded.
Zen culture flourished while memories of war remained on scrolls
The Gosannen War (1083–87) was retold as a battle scroll, kept alive through an age of war.
In turbulent times, scrolls were made depicting warriors' devotion to Buddhism.
The kusōzu gained accompanying poems, giving rise to kusōshi scrolls that unite painting and literature.
The splendor of Momoyama culture gave rise to craft-like scrolls blending calligraphy and painting
Hon'ami Kōetsu's calligraphy and Tawaraya Sōtatsu's underdrawing come together, expressing the decorative beauty that would continue from Momoyama into Edo.
Town culture flourished, and records and faith were painted onto scrolls
Classical themes were reborn as Edo-period Buddhist paintings, modeled on Danrin Kōgō and Ono no Komachi.
Fire brigades, festivals, and wedding processions—the vitality of the city was recorded in scrolls.
A scroll recording the damage of the great earthquake of 1855 preserves the city's memory of disaster.
While absorbing Western influence, the tradition of emaki was carried on
Kobayashi Eitaku painted a kusōzu modeled on a modern courtesan, carrying Edo sensibilities into Meiji.
Themes of ukiyo-e—the Tōkaidō road and the realm of suffering—were painted onto scrolls for a new age.
* Dates of origin may vary among scholars. Source: Emaki Timeline and historical reference works. See the Terms for the accuracy disclaimer.
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